कादि नव टादि नव पादि पञ्चक याद्यष्टक ।

kAdi nava tAdi nava pAdi panchaka yAdyashtaka |

The katapayAdi scheme has been credited to vararuchi - वररुचि (author of chandra vAkya - चन्द्र वाक्य). Literature for this scheme is widely available on the net.

Another popular scheme is using commonly existing materials as representing numbers. For example, moon (चन्द्र / इन्दु) = 1; eyes (नेत्रे) = 2; rishi (ऋषि) = 7 etc. A more comprehensive list can be found here.

The katapayAdi scheme was probably not in vogue during the times of Aryabhatta. In his monumental work AryabhatIya, he introduces a very different scheme, specifically suited for representing astronomical numbers. His scheme was flexible while representing large numbers, which is especially true for astronomical calculations.

In his very innovative scheme, he successfully combines positional system with the devanAgarI-vowels and effortlessly represents large numbers upto 10^17.

Aryabhatta classifies the devanAgarI alphabets as varga (square) and avarga (non-square). This is purely his own classification based on positional system and has nothing to do with the alphabets itself.

Lets look at some definitions:

Defintion #1 - varga (square) consonants - वर्गीय व्यञ्ज्न

The vargIya consonants are represented like this:

1 2 3 4 5 6 7 8 9 10 11 12 13

क् ख् ग् घ् ङ् च् छ् ज झ ञ ट ठ ड

14 15 16 17 18 19 20 21 22 23 24 25

ढ ण त थ द ध न प फ ब भ म

Defintion #2 - avarga (non-square) consonants - अवार्गीय व्यञ्जन

The avargIya consonants are represented like this:

30 40 50 60 70 80 90 100

य र ल व श ष स ह

Definition #3 - Position of vowels

18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1

औ औ ओ ओ ऐ ऐ ए ए लृ लृ ऋ ऋ उ उ इ इ अ अ

Definition #4 - Position of varga-s

Remember, 10th power := 10 ^ (#position - 1).

Varga positions are at squares of 10, namely 1, 100, 10000 etc (#position = 1,3,5 etc)

Avarga positions are at non-squares of 10, namely 10,1000 etc (#position = 2,4,6 etc)

The usage of vowels for positioning/notational system is a very striking feature of this scheme. The simplicity of denoting large numbers will become evident as we explain the scheme.

With such a system in place, the following can be established:

- Numbers take their positional life when a consonant is combined with the vowel.
- The avargIya consonants can go only into positions of 2,4,6 etc.
- The vargIya letters can go only into positions of 1,3,5 etc.
- The length of vowel does not influence the number (ka क and kA का) are one and the same.

Finally, remember that in Samskrita math tradition, the numbers are read from right to left. This is by the rule अङ्काणाम् वामतो गति:। (Numbers go from right)

Before we jump into deciphering numbers, lets recap on what letters should go where.

18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1

यौ यो यै ये य्ल्रृ यृ यु यि य

30 30 30 30 30 30 30 30 30

Now lets look at some real world examples:

Simple examples

Well, 100 is pretty much pre-defined (ha - ह)

Eg: khi (खि)

kh = 2, varga, i (इ) denotes position 3 = 10^2, so khi = 200

Eg: ju (जु)

j = 8, varga, u (उ) denotes position 5 = 10^4, so ju = 80,000

Eg: yRu (यृ)

y = 30, a-varga, Ru (ऋ) denotes position 8 for avarga = 10^7, so yRu = 30x10^7 = 3x10^8.

So a simple यृ denotes 3x10^8! (think of speed of light in km/s in a vaccuum).

Some more larger numbers:

nu (नु) = 20 x 10^5 = 2,000,000 (2 million)

mau (मौ) = 25 x 10^17! (2.5 billion billion)

Lets look at other numbers:

Eg:

Number Number in reverse Scheme

125 = 25+100 ma-ha

225 = 25+200 ma-khi (2*10^2)

5335 = 5+30+300+5000 = ङयगि

432,000 = 2000 + 30000 + 400000 = ख्युघृ

Aryabhatta gives several such numerals based on this scheme including number of rotational years of planets and moon, sine tables etc.

But his scheme did not gain popularity. One reason could be the difficulty in pronouncing the words as a result of such an encoding. Another reason could be the katapayAdi scheme, which could blend beautifully with the poetry.

Comparison of katapayAdi and Aryabhatta's scheme:

An easy difference between katapayAdi and the Aryabhatta's scheme is, whereas the former uses 1:M mapping of numbers:letters (one number can be represented by several letters; for eg 1 can be represented by ka-,ta- or pa-), Aryabhatta's is pretty much a 1:1 mapping. The flexibility of the former yields itself to great poetry.

In katapayAdi scheme, vowels do not carry any significance (all vowels are either ignored or equated to 0). Also the half-consonants are ignored. But in Aryabhatta's scheme, vowels play a major part, in fact it "powers" the numbers.

## 1 comment:

Can you provide some examples on how he has used this scheme?

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